The Fabricated Object
November 29 2012 – January 18, 2013
Sumarria Lunn Gallery
Michael Petry's Joshuas D’s Wall
Michael Petry's 'Bad Restoration' Shows There's Still
Beauty in the Damage
By Meredith Deliso
Michael Petry: Bad Seed
Interview by Laura Bushell on Saatchi Magazine Online
14 February, 2011
Michael Petry Answers FADs Questions
21 February, 2011
ARTIUM: Treasury. Days on capital responsibilities of art and museum
Friday 5 September - Hoarding experience
Coordinator: Juan Luis Moraza
Speakers: Michael Petry, Joseph Jimenez, Miguel von Hafe Pérez, Jaime Sordo, Jorge Luis Marzo, Antonio Baños, Juan Luis Moraza, Daniel Castillejo.
2015 Campbell Lecture Series presents
"The Trouble with Michael"
Artist and Rice alum Michael Petry
discusses his 30 years of art production
April 7, 8 & 9 @ 6 PM
Rice University Media Center
Three pages interview on The Art of Not Making
Winter 2010, cover and eight pages feature
10 One-Night Stands: 27 May 2015
with Maciej Urbanek
New Encounters with Contemporary Art
An art one-night stand with Michael Petry.
Third in a series of 10 two-person shows. Maciej will be having them every week for ten weeks in his new space in Leyton/Clapton in East London.
9 May – 22 November, 2015
Official Collateral Event as part of the 56th International Art Exhibition of la Biennale di Venezia
Gaywise GFest LGBT Tour with artist Michael Petry
Tate Modern, Level 4 galleries
Monday 16 November 2015, 19.00 – 20.00
Performance and Remnant
Fine Art Society
9 - 31 October 2015
Item starts at 10 min in.
THE FINE ART SOCIETY 1876-2016
6 JUNE - 7 JULY 2016
The Fine Art Society: A Celebration, a major group exhibition reflecting the gallery’s tastes and exhibiting history, past and present. Featuring a range of significant artists, the exhibition will take over all five floors of the Bond Street townhouse.
The exhibition is part of a carefully curated programme of exhibitions throughout 2016, celebrating the 140th anniversary of the gallery and the dedicated and innovative people who have populated its rooms, as well as reflecting the gallery’s prominence and connoisseurship in the history of the British art market.